Showing posts with label Meatball Magic. Show all posts
Showing posts with label Meatball Magic. Show all posts

Tuesday, December 18, 2007

Mas Sexi Mixtape #1: Holiday Dance Party, USA!

Hello, friends and strangers, and happy holidays! The last time you heard from Mas Sexi we were mere days from a Thanksgiving turkey-induced coma, but after a month of lazing about and waiting for snow, we've grown restless and, frankly, a little bored of hibernation. Cue the Mas Sexi Mixtape!


MP3: DJ Cuckoo - Mas Sexi Mixtape #1 (Holiday Dance Party, USA!)

In the absence of a Portland-based Meatball Magic, yours truly dons his virtual DJ Cuckoo hat to bring you an extra-special holiday dance mix via The Internets. Ladies and gentlemen: the Mas Sexi Mixtape--first of a lifelong series, no doubt--is an hour-long MP3 mix featuring some of the year's best bangers, as well as a few of our dancefloor favorites. Click above (or here, or there) to download. Consider it an early Christmas present. Or a belated Hannukah gift. Or, you know, whatever you like. Point is, dance!

Tracklist:
Stars - "What I'm Trying to Say Pt. 2 (The Dears Remix)"
Hot Chip - "Ready for the Floor"
Chromeo - "Waiting 4 U"
Calvin Harris - "Disco Heat"
Kylie Minogue - "In My Arms"
Grand National - "Close Approximation"
The Black Ghosts - "Any Way You Choose to Give It"
Treasure Fingers - "Come True Tonight"
Dizzee Rascal - "Pussyole (Old Skool)"
Lyn Collins - "Think About It"
Can - "I Want More"
Blonde Redhead - "Spring and by Summer Fall"
Arcade Fire - "Keep the Car Running"
Dennis DJ - "Vasco 2000"
Diplo - "Diplo Rhythm (Percao)"
Kraftwerk - "Tour de France"
Bonde do Role - "Marina do Bairro"
Santogold - "Creator"
Ce'Cile and General Degree - "Na Na Na Na"
Groove Armada - "Drop That Thing"
M.I.A. - "XR2"
The Postmarks - "Goodbye (Tahiti 80 Remix)"
Robyn - "Crash and Burn Girl (Jesper Dahlback Remix)"
X-Wife - "When the Lights Turn Off"
Ladytron - "Nothing to Hide"

Monday, July 30, 2007

Mas Sexi coming back with power-power!



My babies, my babies! I've been in California the last few weeks, enjoying my farewell Meatball Magic. Practically every friend and acquaintance left in Fresno came out to see me off and I love you all and thank you for shaking ass to my final residential set (Roxy Carmichael-homecoming guest sets to come in the future, I promise). Daniel and I also spent a beach-front weekend in Monterey and it was a great respite before the big move. I'm now an official resident of the Portland/Vancouver metro area (as is half of California by now). This last week consisted of unpacking boxes, shaking sand out of everything, organizing too many books, and enjoying typically amazing weather. Expect many Pacific Northwest-based surprises. Just you wait.

Enough disclosures, now on to the good stuff. So many albums have leaked in my absence from the Internets that I hardly know where to begin. Most importantly? Possibly the most anticipated one yet:


YouTube: M.I.A. - "Bamboo Banga"

It's like Easter Sunday, except with less palm fronds and more lasers. The album's opener, "Bamboo Banga," is indeed a certified banger. There's a Modern Lovers reference, some now-familiar baile funk beats, speeding cars and sirens weighted with bass, and that "Power! Power!" clincher that's the drunken cherry on top of this big sticky floor-filler. The track makes way for its Bollywood foundations at the 3:40 mark (she even does a straight-up cover of this a few tracks later), and it's that layer-cake approach we're used to hearing from M.I.A. that begs us to turn it up to 11.

YouTube: M.I.A. - "World Town"

"Hands up, guns out, represent that world town," she commands on the album's clear, albeit nutso, standout. It echoes the 2 Live Crew's "Face Down Ass Up" by appropriating their call for poon and turning it into a call for worldwide revolution. The sentiment is punctuated by the click clack of guns cocking. You know, just in case you weren't sure. Also? Her use of the word "explodify" is bound to be the next "hateration." Remember that.

YouTube: M.I.A. - "XR2"

I was a 7th grader taping episodes of MTV's 120 Minutes and Alternative Nation in '92. M.I.A. was, by her own admission, listening to hip hop and learning how to jack cars in London. (If you've been under a rock, "M.I.A." is a play on her name, Maya, and the battlefield acronym for someone "missing in action" or, for these purposes, her old London neighborhood of Acton by way of Sri Lanka.) We've all been listening to that shoddy Myspace demo rip of "XR2" for months, so it's great to hear the final album version with all those freshly-polished bells and whistles coming at us from all angles.

If you want to hear it that way, though, all crisp and amazing-like, you'll have to wait until August 21st. That's when Kala drops--and no, you're not imagining things, the MP3s posted here previously have been removed by request and replaced with YouTube links. Sorry, them's the breaks. Go out and buy her album after sampling, just like us. The rest of it is just as incredible--yes, even that song she did with Timbaland that they're both sharing on each other's albums. By the way, if you should feel the need to peruse M.I.A.'s Myspace or official site, here's a tip for all you Firefox users: hitting the Escape key will save you an epileptic seizure by freezing all those animated gifs.

The sun is setting here now, and the smells and sounds of a summer barbeque next door wafting through our open windows are distracting me something fierce, but remind me to tell you about this at some point:

Tuesday, June 19, 2007

It's an umbrella, ella, ella term...

...Pop, that is. It's technically, as we all know, just an umbrella term for music that's, well, popular (and generally, though not always, manufactured with the express intent to be so). Sometimes it catches and sometimes it don't. Sometimes it's good and sometimes it ain't. (Hi, welcome to Earth.) And this track that, despite ourselves, we're about to gush over? Yes, we know it's everywhere. Yes, radio and TV have probably killed it by now and you've probably already got the whole album anyway. Wouldn't be caught dead, you say? Mas Sexi say relax!

MP3: Rihanna - "Umbrella"

After having been turned down by the likes of Mary J. Blige, Akon, and Hilary Duff, "Umbrella"--written by Terius "Dream" Nash and C. "Tricky" Stewart, the same guys who whipped up that Britney Spears single where Madonna plays the hater grandma--eventually trickled down from Karen Kwak at Universal to Island Def Jam's LA Reid and so, finally, to Rihanna and Jay-Z (who makes an opportunistic play at being the male Madonna by reaching with a rap verse over the beginning of the song).



I wonder what that's like, you know? To have passed up a song that went on to debut at #1 on iTunes on the day of its digital release (the biggest debut in iTunes' six-year history), made history in the U.K. by being the first single by a female artist ever to debut at #1 on the Official Singles Chart on download sales alone, and is still topping nearly every other chart imaginable? I wonder if the bigwigs over at Jive Records are lamenting Britney's lost chance (and, admittedly, lost marbles) at snagging a song that's rumored to have been offered, turned down, and may have made for an impressive comeback. Chris Brown realized the potential there and jumped on it in one hot minute with an answer song called "Cinderella"--it's the exact same song with Brown's own auto-tuned lyrics about "looking for the one with the glass slipper" dubbed over the original musical track. There's also a "remix" (really just a hip hop term for "additional guest rap verses inserted at will") featuring Lil Mama, and it's not nearly as good as her own debut single, "Lip Gloss", but it replaces Jay-Z's original verse and that's good enough for me.

And wouldn't you know it? Rihanna's actually singing! We loved playing "S.O.S." at Meatball Magic, not just because of that Soft Cell sample, but also because no one really cares about vocals when the song is that fun. "Umbrella" caught us off guard, though. It's not exactly a floor-filler; not a ballad or anthem either, really, but it's undeniably irresistible. Her 19-year-old voice, even on that cheesy bridge verse, seems to have matured into something that can hold up to the production. And kudos to whoever mixed the track; it sounds awesome. The tail end of that bridge, when it swells back into the chorus in a slightly altered key, is squeaky clean.

MP3: Rihanna - "Breakin' Dishes"

The only other track on the album (titled Good Girl Gone Bad, by the way) that Dream and Tricky mutually collaborated on is "Breakin' Dishes," but if you didn't know better (and I didn't, actually, at first), it could just as easily have been done by Timbaland. It's practically a straight rip of "Maneater," but with a meaner "Sunglasses at Night"-on-a-rampage feel that rumbles up from the floorboards. Those "I don't know who you think I am" and "I'ma fight a man" hooks even sound like they were recorded by Nelly Furtado herself, but while "Maneater" is the modern pop song that all new pop songs are inevitably compared to, "Breakin' Dishes" is bound to be a fleeting and brazen pastiche that will no doubt get asses bouncing for a minute or two.

MP3: Rihanna - "Lemme Get That"

One of three tracks on the album that actually is produced by Timbaland, however, is "Lemme Get That." Ok, two things. First--that fucking backing track! Imagine a high school marching band parading down the streets of Rihanna's native Barbados playing reggaeton covers. It delights me. I'm literally delighted. You've got to hand it to Timbaland: the man is occasionally absolutely brilliant, and tracks like this, when handed to us along with our asses, seem to exist solely to remind us of that fact right when we're about to forget.

Secondly--this robo-diva persona Rihanna seems to be morphing into? I'm in. Whoever decided to slash her hair into that angular Aeon-Flux 'do and squeeze her into some fetish gear knew exactly what they were doing. It suits that icy android voice of hers--and the current pop-friendly hipster-asshole scene--quite nicely. That's something our friends across the pond do really well. It's that cold Euro-pop that's cool enough to fit in anywhere without being soulless, but has you centered in it's red-hot predatory stare. Alison Goldfrapp, we salute you.

So dance, friends! Ain't no shame! Besides, it's a lot cooler than standing there with your arms crossed.

Saturday, May 12, 2007

Mas Sexi Honors: TV on the Radio

Sure, we could start this off with unreleases and leaks for the kids, but I couldn't in good conscience mount a foray into 2007's musical offerings without acknowledging the absolute hands-down greatest single of 2006. Onward, friends...

MP3: TV on the Radio - "Wolf Like Me"

TV on the Radio are one of those happy flukes of musical nature. While other bands make hungry work of moving past their sophomore slump, these guys are resting on the laurels of their critically-acclaimed masterpiece Return to Cookie Mountain. After 2004's Desperate Youth, Blood Thirsty Babes scored the band a Shortlist Music Prize, expectations for their second and eagerly anticipated proper full-length (2002 self-release OK Calculator notwithstanding) were pretty high. Signing to legendary record label 4AD for European distribution also didn't hurt.


Shoot forward to the mislabeled and unmastered Internet leak of Return to Cookie Mountain and the collective gasp of fans, both adoring and hipster-cynical alike, propelling mixed-up tracks onto blogs and message boards, and you've got a pretty good idea of how the laureation begins. I don't know about you, but the first time I heard "Wolf Like Me" (originally ID3-labeled "Playhouses"), I nearly fell out of my seat for all the bopping and jaw-dropping. The album was officially released in July of 2006 (September in the U.S.) to praise worthy of its various "Album of the Year" spots on year-end lists, but it's Return's lycanthropian ode to lust that seals the deal. Not only is "Wolf Like Me" a bona-fide dance-floor packer that Meatball Magic regulars never get sick of thrashing around to, it's also a howling testament to one band's double-fisted ability to rock the fucking house. And how.

Friday, May 11, 2007

Inebriation leads inauguration.

Well, hello! Vance likes to adopt an unassuming stance. It's very sexy. But for those of you who really are wondering what's going on here, I'll tell you:

You, friends, have reached Mas Sexi, the official Meatball Magic music blog. I'm Alan, your humble co-host, also known as DJ Cuckoo. Down there? That's Vance, or DJ Heinz to those of you he hasn't introduced himself to quite yet. Welcome and sit your ass down.

What, you ask, is Meatball Magic? Well, aside from being a ridiculous (and unrelated) late-night infomercial-rampaging meat sphere-making gadget, Meatball Magic is the longest-running independent and alternative club night in California's central valley. Truth is, if you haven't heard of us by now, you're either busy sucking or busy not living near Fresno. Kudos.

Still curious? There's an early interview you can check out over at Fresno Famous. That's the link right there. Very enlightening. Plus, you can check out our setlists and photos from every event in our Myspace blog. Also, you can listen to our radio interview for KFCF (KPFA in Berkeley) if you'd like. It aired last year and mostly we just talked shit and played music. Very fun. Here's the link:

MP3: Meatball Magic on Move On Up - June 30, 2006

Now: bookmark this blog, put us in your favorites, and subscribe before you forget, because otherwise you'll miss us knocking your socks off with musical ephemera to tide you over until you can make it out to the club (or, if you can't, at least until you can get awesome). Lots of shit-talking and music-sharing. You won't regret it. We promise.


Dance, we said.